Tag Archives: Heathers

This Week: Top Five Irish Bands

by Ben Kritikos

Jinx Lennon


Jinx Lennon is no stranger to this blog.  I write about him so often because I think he’s a living legend.

The first time I heard him, my initial reaction was: what the fuck?! There stood this stocky guy on stage wearing knock-off wayfarers with “Free State Nova” written in Tipex on the lenses, banging out single notes, sometimes chords, sometimes thrashing noteless strums on his guitar, bellowing like a man somewhere between madness, inspiration and Motown.  If nothing else, it was the dictionary definition of remarkable.

Jinx Lennon is hard to describe.  He’s somewhere between a punk rocker, a poet, a soul singer (or soul singer gone Baptist minister, à la Al Green), an early 20th century labour movement folk singer, and a nutter with a synth.  It’s like divinely crazy music with its feet on the ground.

I know of no other artist who can hoot and howl so melodically.  At his finest, he spits the best poetry in Ireland today, to the accompaniment of cracking beats and acoustic punk.  Jinx Lennon live is a unique experience: in between songs he’ll put down the guitar and lambast the audience with a tirade of inspirational sermons.  I don’t know when the man breathes.  He’ll scream you full of positivity, peppering his pep-talks with sudden bursts, like a saint with Tourette’s.

High points include: Know Your Station Gouger Nation (Septic Tiger Records)

www.jinxlennon.com
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This Week: Top Five Albums For When You Feel The World Is Shit

by Ben Kritikos

You know those days when you’re so frustrated with the world, so itchy and restless that you could scrape your own face off with a tennis ball?  I have more of these days between the months of January and March than all the other bits of the year combined.  It’s the winter blues.

Some people don’t get the winter blues.  Lucky bastards.  But I do.  I used to get solemn, depressed, melancholy — like a teenager constantly on the verge of tears because his/her hormones are more imbalanced than Mel Gibson.

That doesn’t happen anymore: now I go stir-crazy.  Menopausal.  Borderline personality.  And it happens out of nowhere, not just on gray, dismal, drizzly days when the 214 drives right past you without stopping, as though the poxy cock-nose driving the thing didn’t see your schizophrenic semaphore.  The 214 is the quintessential London-in-winter experience — it’s the bus from hell, the bus they refuse to upgrade to a double-decker, or even an articulated bus, because people may actually be able to sit down on it; the bus driven only by less-than-domesticated primates who seem to take pleasure in accelerating fast enough to splatter old ladies against the grimy handrails.

Enter the Dragon: the 214

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